Find the furniture, lights, appliances, decorations, plants, and materials you need to quickly bring you SketchUp models to life."
Podium Browser is a premium component library containing over 45,000 high-quality models and materials, with hundreds added each month. All models from 3D trees to furniture are render ready for SU Podium and PodiumxRT but also are highly suitable to stand alone SketchUp exterior and interior designs.
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Podium Browser works just like the 3D Warehouse — Simply click on a thumbnail in the Browser to download the content into your SketchUp model. You can then render using SU Podium, ProWalker or Podium Walker if desired. Podium Browser components and materials are developed with considerable detail and suited well for SketchUp designs.
Browse examples from selected categories below, or check out the full library here — Podium Browser library.
These four scenes were created almost entirely with Podium Browser components and rendered with SU Podium. Click through the images to see a breakdown of the Podium Browser components used in each image:
: A lush, atmospheric musical score composed by Giancarlo Chiaramello that perfectly blends traditional Middle Eastern instrumentation with late-70s European psych-pop.
Directed by Joe D'Amato, the film balances breathtaking, postcard-perfect travel videography with incredibly dark, transgressive themes.
The "02" print also restores a controversial sequence where Emanuelle photographs a Bedouin ritual. The original film had the ritual as background noise; the exclusive edit pushes it to the forefront, syncing Gemser’s breathing with the drum beats. It is hypnotic and, some critics argue, the most artistic footage Gemser ever shot. laura gemser emanuelle in egypt 02 exclusive
Unlike other entries in the exploitation genre that relied entirely on shock value, Emanuelle in Egypt benefited from Brunello Rondi’s artistic background. The film features:
The "exclusive" nature of this cut is not just about rarity. It is about seeing a version of the film where the director (whoever it actually was—likely an uncredited Joe D’Amato with interference from a Saudi funder) and the actress fought for a vision that was too strange for the masses. : A lush, atmospheric musical score composed by
Let’s be honest: A true "exclusive" restoration is not on any streaming platform (not Amazon, not Mubi, not even the cult-favorite Severin Films). However, based on exclusive sourcing from European archival auctions:
This public link is valid for 7 days and shares a thread, including any personal information you added. This link or copies made by others cannot be deleted. If you share with third parties, their policies apply. Can’t copy the link right now. Try again later. The original film had the ritual as background
Despite the misleading titles, the stunning backdrop of the Egyptian desert and ancient monuments cements its place as a visually mesmerizing standalone feature.
To understand the impact of the film, one must first understand the magnetic pull of Laura Gemser. Stepping into the shoes of the fictional photojournalist Emanuelle—spelled with a single 'm' to distinguish the character from the French Emmanuelle series starring Sylvia Kristel—Gemser brought an unprecedented level of grace, sophistication, and fierce independence to the screen.
Set against the backdrop of the Egyptian desert, the film follows a fashion photographer and his girlfriend as they visit a wealthy friend's estate. The production is noted for its high aesthetic value, credited to director , a frequent collaborator of Federico Fellini. Gabriele Tinti