Jackie Chan Movie Police Story 1 |link| Review

Filmed at the Wing On Plaza in Tsim Sha Tsui, the final 20 minutes of Police Story represent arguably the greatest action climax ever captured on celluloid. As Chu Tao’s henchmen systematically smash through rows of glass storefronts, Ka-Kui wages a one-man war against them.

But even these "flaws" are charming to cult fans. They highlight the "kitchen sink" approach of 80s Hong Kong cinema: throw in tragedy, comedy, romance, and death-defying stunts, and see what sticks.

Chan plays , a dedicated Hong Kong policeman. He is tasked with protecting Selina Fong (Brigitte Lin), the secretary of a dangerous drug lord, Chu Tao (Chor Yuen). After Ka-Kui successfully orchestrates a massive bust in a shantytown (the opening sequence), the drug lord escapes. To get revenge, Chu Tao frames Ka-Kui for the murder of a fellow officer.

If you search for the keyword , you will find glowing reviews, impressive box office numbers, and a summary of a 1985 Hong Kong film about a cop framed for murder. But numbers and plot summaries fail to capture the seismic impact of this masterpiece. jackie chan movie police story 1

The production famously earned the nickname "Glass Story" among the crew due to the staggering volume of glass shattered during filming. To make the impacts look heavier and sharper, Chan's team mixed real glass with sugar glass (breakaway glass). The result was visually breathtaking but incredibly hazardous, causing numerous deep cuts and lacerations across the stunt crew. 3. Prop Integration

The DNA of Police Story can be seen across global action cinema. Hollywood directors studied Chan’s framing and editing techniques. The concept of using everyday environments for highly stylized martial arts combat heavily influenced Western franchises like The Matrix , John Wick , and the Jason Bourne series. Specifically, the mall sequence has been paid homage to in numerous films, including Sylvester Stallone’s Tango & Cash (1989) and Michael Bay’s Bad Boys II (2003), which recreated the shantytown drive-through sequence.

In 1985, Jackie Chan was a superstar in Asia, but he faced a critical turning point. After a disappointing second attempt to break into the American market with the gritty, Hollywood-produced action film The Protector (1985), Chan returned to Hong Kong frustrated. Disliking the excessive profanity and rigid directorial style of Western cinema, he set out to prove that he could create a superior, modern urban action movie on his own terms. Filmed at the Wing On Plaza in Tsim

The middle section of the film balances the tension of protecting a hostile witness with brilliant physical comedy. The scene inside Ka-Kui’s apartment, where he tries to stage a fake assassination attempt to scare Selina into cooperating, showcases Chan’s impeccable comic timing.

Showcasing Chan's mastery of Buster Keaton-style physical comedy, the middle portion of the film features a brilliant sequence where Ka-Kui tries to answer multiple ringing telephone lines simultaneously using his hands, feet, and chin. This lighthearted rhythm perfectly balances the intense violence of the framing plot, giving the audience a breather before the devastating finale. 3. The Mall Finale: "Glass Story"

Before Police Story , Hong Kong action cinema was dominated by historical period pieces, traditional kung fu films, and swordplay epics. Jackie Chan dragged the genre into the contemporary era. By utilizing modern urban environments—cars, buses, glass buildings, and escalators—the environment itself became a weapon and a prop. They highlight the "kitchen sink" approach of 80s

The reluctant state witness. Lin transitions beautifully from a cold corporate icy exterior to a terrified, screaming participant in Chan's chaotic world.

When discussing the pinnacle of action cinema, one film consistently rises to the top of the conversation: Jackie Chan's 1985 masterpiece, Police Story (警察故事). It was not just a movie; it was a watershed moment that defined the "Hong Kong Action" genre, showcasing Jackie Chan not merely as a martial artist, but as an auteur, director, stunt coordinator, and daredevil performer.

Police Story popularized the tradition of showing outtakes and failed stunt attempts during the closing credits. This served a dual purpose: it added a lighthearted note to a violent film, and it reminded the audience of the immense human cost required to entertain them. Legacy and Impact on Global Cinema

Available on Criterion Collection (restored 4K), Amazon Prime (select regions), and various Blu-ray editions.