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Camilo spent weeks asking questions. He spoke to Abuela Marta, who was stoic and slow in her answers. "Whoever he is," she said, "he stitches with hands I taught long ago." He spoke to the seamstresses at La Aguja Roja, who claimed to have donated fabric without knowing why. Teenagers in skateboard shoes swore they’d seen a lithe figure on a rooftop, fox mask half-lit by the moon, scattering seed packets like confetti.

The city government offered a reward. Real estate magnates commissioned security firms. Murals were whitewashed at midnight, only to reappear with new layers of meaning by morning. Some neighbors feared escalation; others feared forgetting. In the midst of this tension, El Zorro Azteca staged what would be remembered as the Night of the Seeds.