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For her first major project at Eclipse, Maya proposed an internal showcase titled “Bosses in Heels.” The idea was simple yet bold: each senior leader would submit a portrait that captured the essence of their leadership style, but with a twist. Maya herself would be photographed in a custom suit paired with a silk kimono, a nod to the traditional garments she cherished from her childhood, and a pair of towering, glitter‑encrusted heels—symbolizing both her corporate authority and her cultural roots.
Maya had grown up in a modest neighborhood where her mother ran a tiny photo studio. From a young age she learned how to frame a moment, how light could turn a simple smile into a story, and how the right angle could make a person feel seen. When she moved to the city, she carried that love of images with her, but it was the hidden world of the bossladyboys —trans women who owned nightclubs, fashion houses, and art collectives—that truly sparked her imagination.